some plant ideas to borrow
Last weekend’s Los Angeles trip included a short stop by the Getty Museum in Brentwood.
I’d posted earlier about their exhibit featuring botanical illustrations by Maria Sibylla Merian that continues through the end of August. It was a compact, intense show with artwork by Merian and her contemporaries, along with examples of some of the earliest illustrated botanical books.
Unfortunately it was one of those thou-shalt-not-photograph exhibitions, so I had to be content with snapping these two for-sale prints in the kiosk outside the galleries. Merian was interested in plants, but even more so in the critters that live in them. Here you see various creepy crawlies cavorting with the plant life.
When visiting a place like the Getty it’s easy to get overwhelmed with the sheer unapproachableness of everything you see–the Acropolis-like site, the billion-plus dollar construction budget, the irreplaceable artworks. But looking around the grounds there are all sorts of cool details that would be at home in a back yard planting or patio project.
Here are some of the plantings that I thought were cool. Some were in the Robert Irwin-designed Central Garden, others were around the museum grounds that were designed by the landscape architectural firm of Olin Partnership. (The best piece I’ve run across on the Web about the less famous garden plantings was in, of all places, The Australian Humanities Review.)
Many of the shady plantings underneath the planting of London plane trees use light-colored foliage to make the plants pop in the shade. It’s a technique that you read about a lot–but it works wonders. Here’s a nice combination of light-color succulents.Again in the shade, here are some plants with green-and-white variegated foliage, including a New Zealand flax.
And the last of these shade pictures, a planting featuring a chartreuse-leaved oxalis species. John thought it looked a little anemic, but I thought it was pretty cool.Out of the shade, a planting of contrasting foliage colors can be a great accent. Here the planting avoids green altogether, and combines plants predominating with red and yellow tones, including the “Sticks of Fire” clone of the evil pencil tree.
In a garden with a large number of different plants it helps to have zones with less contrast. Here a long, curving row of pink crape myrtles were blooming over an extended bed of variegated society garlic blooming with their lavender-pink flowers.
Mass plantings don’t have to go into rows or grids. Here’s my favorite planting on the entire property, a seemingly random arrangement of golden barrel cactus. The arrangement is informal, but it’s as much a product of human intervention as something that’s overtly geometrical. The Robert Irwin-designed Central Garden draws most of the visitors, but this area is the most spectacular to my eyes.
If you have a billion-dollar view most people decide to chop down all the plants between you and the view. Here, the almost-transparent, unobtrusive, but still dramatic spent flower stalks of these variegated century plants (Agave americana ‘Marginata’) actually helps complete the view, giving focus to what would be a run-of-the-mill spectacular view of the West Side of L.A. The actual flowers on these sculptural inflorescences died months ago, and the stalks are actually black and not green. But they’re cool as all get out–So why not leave them be?
Plantings soften a lot of the hard geometrical edges. Here some prostrate rosemary cascades over the hard edge of the travertine wall.
And here, the baby’s tears growing between the rough travertine squares softens the transition from human hard-edged geometry to the softer forms of the vining Boston ivy.
Next post I’ll share some of my favorite details from the hardscape around the Getty.
August 28 2008 04:30 am | Categories: gardening • landscape design | Tags: foliage plants • J. Paul Getty Museum • plant combinations • shade • shade plants










