Archive for October, 2008
After San Diego County’s fires of 2003 moved into new areas, I was one of those tacky disaster tourists who went into some of the recently reopened areas. It’s interesting what motivates people to do things of the sort. An acquaintance with documentary photographer aspirations scours the world for disaster, and has gone to witness famine in Africa and Asia, and was in Banda Ache in 2005 not long after the previous December’s tsunami. What can you witness in times like that?
I wasn’t looking for human suffering. Also, I had no interest in the mawkish Hallmark-card exploitation of some weird sort of notion of human dignity that emerges in desperate times. I was primarily interested in the fires as one whopping dose of reality of the power of nature, just as I have this fascination of volcanoes and earthquakes, not for the terrors they can unleash on us humans, but more for a much-needed dose of human humility. I think that we humans are blisteringly arrogant as a species and need to be rattled into consciousness about our place in the universe.
You can make some of these discoveries while gardening, observing the world and uncovering your place in it. But I guess I’m dense enough that it takes something cataclysmic to give me the rest of the story. Dunno…maybe it’s the same kind of need that drives people to mountain climbing or NASCAR…
So there I went, out into the burn areas, mostly to the backcountry, but also around my neighborhood. Looking back at the photos I took I think that I was looking to find some sort of order or beauty out of the mess. Was it looking for some sort of reassurance? Or maybe something approaching acceptance? Making peace with the realities of the world?
La Jolla Panorama with Smoke I, Day 3, 2003.
Here’s the left half of a diptych taken on the third day of the fires from the top of Mount Soledad, a viewpoint that on other days gives you a view of the ocean, downtown San Diego and the mountains to the east. This was day three of the fires, with the flames now probably no closer than ten miles away. But that day most of what you saw was the air, thick with smoke and the color of burnt caramel.
“Tim Loves Julia” Rock, near El Capitan Reservoir, Day 3, 2003.
Taken the same day as the previous image, this was out just a couple miles from where the Cedar Fire began. With the winds blowing east-to-west, the air was surprisingly clear immediately overhead but the smell of ash was everywhere. This boulder with the graffiti was probably about as close as I got to looking at that human dignity thing. I wonder if Tim and Julia are still together. Or was this just some drunken midnight outing with a sixpack and a can of spraypaint?
My first tourist pictures turned into a small photographic series, The Fire Works. Over the course of several months I visited many areas that had burned and looked for the signs of change, restoration or recovery.
Mission Trails Park II, 3 Months Later, 2004.
After three months and a few rains things were still blackened, but the green was starting to come back.
Mission Trails Park VI, 3 Months Later, 2004.
Taken the same afternoon as the previous image, the signs of recovery are a little more subtle in this picture. Immediately after the fire the rocks were black. Now they’re washed white. In a large print of this image you can see little seedlings returning to the park.
Rock and Branches, Cuyamaca Rancho State Park, 6 Months Later, 2004.
The Cuyamaca Mountains experienced some of the most intense burning. But add some time, sunlight and water and you end up with one of the more spectacular spring wildflower blooms I’d seen in a few years.
Hill with Wildflowers, Cuyamaca Rancho State Park, 6 Months Later, 2004.
…And this is one of the last images I took in the series, the following May. With the majority of the pines in the Cuyamaca Rancho State Park wiped out, restoration was far from complete. It may take longer than my lifetime, and things will never be exactly as they were. But nature is doing what it does and doing it beautifully.
This project was a real eye-opener for me. You can read about the transformations that occur after a fire and appreciate the facts. Still, there’s nothing like getting out into the areas that were affected to give me a much deeper appreciation of the changes.
After 2007’s fires, however, after watching too many days of disaster coverage on television, I had no inclination whatsoever to repeat my post-fire surveys of 2003 and 2004. I stayed in the house, turned on the HEPA air filter I’d bought after the earlier fires, and tried my best not to let the horrific news coverage get to me. Sometimes you feel that a human being has seen enough.
Speaking of things that humans probably shouldn’t have to ever live through, let me plug a book by one of my recent coworkers, Paul Harris, who’s recently published Diary From The Dome: Reflections on Fear and Privilege During Katrina.
Paul went as tourist to New Orleans, looking to spend a laid-back week taking in what the Southern city had to offer. Instead he ended up in the middle of Hurricane Katrina, evacuated to the Superdome along with thousands of the city’s residents who couldn’t find a way out of town. You’ve heard or read of some of what happened there, but Paul gives an especially harrowing account of the the experience. He saw and lived through things none of the press reported, including how being a white tourist gave you privileges that none of the majority black residents were offered. This book will open your eyes.
October 19 2008 | Categories: art • landscape • photography • places | Tags: Cedar Fire • fire • fire ecology • Hurricane Katrina • Paul Harris | 1 Comment »
I’ve been thinking a lot about fire lately. I blogged a few days ago about starting an informal experiment to look at ways to start seeds that require fire to germinate. And lately we’ve been experiencing the sort of dangerous fire conditions that you only see in the autumn here in Southern California.
When the dry Santa Ana winds scour westward from the desert an hour to the east, they can bring to October some of the warmest days of the year. At the same time, as these dry, gale-force winds blow westward through the mountain passes, they breed dangerous conditions for major wildfires.
Monday night, as I was leaving the office, someone stopped me on the way out. “Have you heard about the fires?” he asked. The Los Angeles area had been seeing fires over the last couple of days and now Camp Pendleton, forty miles to the north, was burning. People were being evacuated from their homes.
Oh no. Here we go again, I thought. Fortunately, several days later, those fires all seem to be doused or at least on the way to containment. But the fire weather is still with us.
It was almost a year ago when John and I were up on the roof deck, having an early dinner, enjoying a freakishly warm October afternoon. Looking directly west the horizon was clear, but to both the north and south there were dark streaks of smoke. Driven by the same desert winds that had made that afternoon so remarkably warm, the smoke rose high into the atmosphere from sources farther inland and streaked out over the ocean. Things were burning, and it was looking bad.

Above: An enhanced NASA image of the San Diego County fires that first afternoon, October 22, 2007 [ source ]
One of John’s coworkers lost his home that first night of the fire. Over the next several days, hundreds of thousands of others were temporarily homeless when they were ordered to leave their homes in the largest evacuation in California history. In the final tally, a quarter of the county’s land had burned and at least people seven had lost their lives, including several migrant workers who were traveling on foot, north to their jobs. (Earlier this year producer Laura Castaneda put out a documentary, The Devil’s Breath, on some of their stories. When the history of the migrant workers is written, it’ll be full of the sort of heroic figures and trying circumstances that populate the American narrative of the settlement of the “wild west.” )
Last year’s fires had followed a set of even more destructive ones in 2003. Those came closer to my house than last year’s flames–within maybe three miles–and that first morning saw a hot rain of ash and even embers.
The photojournalists were rushing to the fire lines, trying to get a shot of the devastation. But it was the vision of the sun veiled in smoke drew out my camera that first morning. There’s a color to the light that comes with fire, a pervasive and almost sticky yellow-brown that reminds you of sunset colors even in the middle of the day, but the browning effect is so profound that everything looks wrong. If I didn’t tell you that the images were of smoke you might consider the images beautifully atmospheric. I guess they are, but there’s that scary counterbalancing of something being out of control and dangerous.
(That vibration of beauty and terror goes straight back to eighteenth-century aesthetics, and to early writings of people like Joseph Addison, who remarked that “The Alps fill the mind with an agreeable kind of horror.” This is rich ground that been mined by a number of artists for the last quarter-millennium. In the photography world, John Pfahl and Richard Misrach are just a couple of those who have produced significant bodies of work drawing on this conflicted Romantic notion of the sublime. And as long as people have this notion of awe and powerlessness, there will be centuries more of art drawing from it.)
[ next, after the fires… ]
October 18 2008 | Categories: art • landscape • photography • rambles | Tags: 2003 • Cedar Fire • fire • Santa Ana winds | 3 Comments »
It’s getting to be that season. My mornings are now seeing me at work around sunrise and home at a time when it’s almost dark by when I’ve finished preparing and eating dinner. And for the next two months it’s only going to be getting worse as we head towards the darkening maw of winter. At least I only do these long days four times a week. Still, I’m getting a serious case of withdrawal from the garden.
This is the time of year when I really start to feel envious about John’s position, working out of the house. In between doing what he does on the phone and computer he gets a chance to keep up with the happenings on the street. The neighbors across the street just had a new baby, John reported, and he’s really cute. John also reported that the mother of one of our neighbors just died, and the neighbor two houses down is now in a nursing home, completely incoherent, after being ambulanced away from the house not much more than a week ago.
Looking at the implacable facades of the houses on the street, it’s hard to tell that anything is happening. But being home, around the neighbors, John is able to keep up with dramas.
John is also able to keep up with things happening in the garden. A story from the past week was of looking out the window to see the cat dining on the tender new leaves of the millet seedlings that I’d set in the ground not many days before.
“You didn’t stop her?” I protested.
“It was soooo cute,” he said.

Scooter snoozing
Well, this was the cat over last weekend. How can you discipline basic instinctual behavior in such a sweet cat? Okay, okay, I calmed down a bit.
But I was still worried about the millet plants.
Left: Ornamental millet, Pennisetum glaucum ‘Purple Majesty’ [ source ]
Ornamental red millet hit the garden world in a big way with the introduction of the Purple Majesty F1 strain in 2003. This slender four– to five-footer was awarded the All-America Selections Gold Medal, which basically assured that the plant would end up in garden centers and seed catalogs all over. That strain spawned others, including the shorter ‘Jester,’ which I’ve been starting to see a lot of–even at the Home Depot garden center.
Even though purple millet is now so déclassé, now that it’s hit Home Depot, I decided I wanted to try it. A seed order a few weeks back brought me a hefty packet of the original Purple Majesty. Some of the seeds went into pots and they sprouted in less than a week. And then the little fellas were ready for the garden, when they were adjusting and starting to increase in size. And then the lawnmower cat attacked.

Purple Majesty millet seedlings
Well, I’m glad to say, I could hardly see any cat damage to the seedlings–a chewed blade here and there, but nothing major. Here’s a little clump of them as they stand today. The largest is pushing eight inches tall, and the red coloration is starting to develop now that they’re basking in full sun half of the day. It might be too late in the year for them to develop the dramatic seed heads, but I’ll have some nice purple, vertical plants in the garden in no time. Since these are hardy to zone 8, they’ll make it through winter just fine and be blooming away before you know it.
Anyway, now that I’ve have a couple hours in the garden this morning I’m feeling rejuvenated, especially now that I know that the plants I’ve been slaving over lately have come through unscathed. And of course it’s been nice to have some garden time to spend with the cat. To protect the millet, I’ve been pointing out to her the little grass seedlings that are real weeds. So far the feline lawnmower seems content with the other options.
October 17 2008 | Categories: gardening • my garden • plant profiles • rambles | Tags: cats • October • Pennisetum glaucum 'Purple Majesty' • purple • purple millet • the neighborhood | 2 Comments »
I guess I’m a little old-fashioned because, yes, I occasionally still buy books. Even with all the information you can find on the web, there’s something satisfying in holding a book in the hand. It’s the difference between looking at a calendar of flowers and actually holding one in your hand, feeling the softness of the petals and taking in the fragrance.
Last week’s mail brought me a copy of a book I posted on recently, Karen Platt’s Black Magic & Purple Passion: Dark Foliage and Flowers for the Garden. This is a slender little volume that has its heart a long listing of plants that have black or dark purple attributes: flowers, foliage, or stems. Most of the plant descriptions come with brief information on cultivation and propagation.
There are dozens of photos of individual plants, but because of the economics of publishing they’re all clustered on the glossy pages in the center of the book. It would of course have been more useful to have the images next to the descriptions.
Earlier I posted a couple plants in my garden that I’d consider black or dark purple, and this book listed one of them, black bamboo.

Near-black aeonium
The book additionally mentions a couple others that are already in my garden.
Aeonium arboreum, shown here in semi-shade against the green leaves of an aloe, is a succulent that has found a home in many Southern California gardens. I’d definitely consider it to have leaves that are very close to black. It’s incredibly easy to grow as long as it doesn’t freeze.
Another of the plants listed in the book, Penestemon digitalis ‘Husker Red,” is one that I’d consider more to be more of a green plant that’s got gentle red-purple tints to the leaves. My plant lives in a semi-shaded location, however, and given more sun it might develop darker foliage. Also, what one person would consider dark purple, another might call a totally different color. Time to get out the Pantone color charts!

Salvia lyrata ‘Purple Volcano’
Once you start thinking about all the color you see in the plants around you, you could easily add to the author’s list of dark plants. Here’s the ‘Purple Volcano’ clone of a
US East-Coast sage,
Salvia lyrata. The flowers are insignificant, but the foliage is this gorgeous dark purple. I have it planted here with yellow-and-red gaillardia, though I think I’d have done better pairing it with pinks or blues. Well, it
is transplanting season, and it’s amazing what a person can do with a shovel in five minutes’ time…
Three planting diagrams in the book give some ideas about how these black flowers and plants could be used. One pairs the dark plants with gold colors, and a second uses silver-colored plants for a foil. The third shows an “island” planting, where a walkway surrounds a bed of dark plants. I’m sure that the planting schemes would give you striking results.
Unfortunately the book doesn’t have any real-world photos of these planting suggestions or of any of the dark plants in a real garden setting, and that’s probably the books weakest link. Personally, I can begin to imagine how a small handful of plants might look together, but I really have to see photos of the more complicated plantings for them to make any sense to me.
Somehow all this color-theming seems like a particularly British thing–just think of Gertrude Jekyll’s influential White Garden, planted in 1948 at Sissinghurst. (And of course, Jekyll is well known for her discussions of garden color.)
Even if you don’t want to cross over to the dark side, this books has many good ideas for plants that you could use to provide pockets of dark interest throughout your own garden. What better way to appreciate the brilliant flowers most of us have in our gardens than by having some subtle, dark plants to set them off?
October 14 2008 | Categories: gardening • landscape design • my garden • plant profiles | Tags: black • color combinations • Karen Platt • purple | No Comments »
There used to be a large, mature tangerine tree in the yard across street. When the midwinter peak season came around, all the neighbors could help themselves to amazingly good tangerines. (What they say about home-grown tomatoes being way better than store-bought can be said of tangerines as well.)
There was a minor neighborhood tragedy when a new neighbor moved in across the street. Thinking that the tangerine was a big lemon tree, one of them pointed the tree out to her gardener. “Take that thing out,” she instructed.
When the neighbors, one by one, told her how much they had loved the tangerine tree the new owner got increasingly despondent. Turns out she really loved tangerines and never would have had the tree taken out if she knew what it was.
To avoid future tragedies of this sort at least two of us on the street put in our own tangerine trees last year. Mine flowered nicely for several weeks this past spring, and the flowers turned to little baby tangerines. It was looking like the tree’s first crop would net a couple dozen nice fruits this season.
Then some heat waves hit, time during which I hadn’t given the plant enough supplemental watering. The tree sulked and dropped all but three or four fruits. I’d been counting my tangerines before they’d been ripened and picked. More sad days.
Then, this past month, the tree started blooming again. I can’t say that I’ve ever noticed a double blooming period on citrus, but my life experience with citrus has been with one tree of the fairly reliable Oro Blanco grapefruit. (The grapefruit has bloomed once annually and fruited heavily in alternating years.)

Green Tangerines
I made a point of watering the tree heavily while it was blooming, and the plant is now covered with more green fruit than it had last spring. Counting them is like a “where’s Waldo” exercise, with more little fruits seemingly appearing out of plain sight. This branch has at least seven on it.
It’s premature to start counting ripe tangerines at this point, but at least now it’s starting to look like a reasonable first crop for a young plant. This variety, the Frost Owari clone of Satsuma tangerines, bears heavily in December. (Satsumas are also referred to as “mandarins.”) Expect baby pictures as they start to turn color…
October 13 2008 | Categories: gardening • my garden | Tags: Frost Owari tangerine • mandarins • neighbors • tangerines | 2 Comments »
I don’t know about you, but certain kinds of basic household maintenance can seem about as uninteresting as watching beige paint dry. To keep me motivated, I sometimes offer myself little rewards. Why not make the repairs I need to make, but at the same time why not modify the original plan a little bit to keep things interesting?

The old fence
There was a back fence that we installed almost twenty years ago. At the time we were a little lazy, and the thought of some plain exterior plywood nailed to some supports sounded like an acceptable solution for an out of sight, out of mind piece of the yard. Some of the fence hadn’t fared well over the years, however, and for some of the recent weekends we’ve worked on repairs.

Panels being replaced
So we knocked out the worst of the panels and replaced them with new pressure-treated plywood. And instead of plain, unfinished panels, I thought it was time to make it look like something other than a fence that might have thrown together by a couple of twenty-somethings with a still-developing sense of how the world should look.
I consider the house and yard as a bit of a living laboratory. Why not paint the panels a color that no one in their right mind would paint them? Say, something like…black. And why not dress up the plain panels with some bands of steel that will rust to a color that’ll match some of the steel details that are starting to appear around the yard?

Black fence 1
In these photos the steel has only begun to rust. By midwinter it should be nicely browned all over.

Foliage contrasts nicely with the black fence color
I think the greens and browns of the plants show up nicely against the new background instead of retreating into it. And even if it’s not exactly the color you would have painted it, the fence at least doesn’t look like it’s about to fall down…
October 11 2008 | Categories: gardening • landscape design • my garden • rambles | Tags: fences • hardscape • maintenance • plywood | 2 Comments »
Earlier I shared a closeup photo of a santolina that had flowered but where I hadn’t cut off the spent blooms. The stems had developed a gently lyrical brown counterpoint to the blue-gray foliage.

Fountain grass and along walkway
Here’s what the plant looks like now as you turn off the sidewalk towards the house. (The plant in the background is the common red fountain grass,
Pennisetum x avena ‘Rubrum’.)
I’m treating this as a bit of a rehearsal for what the garden might look like in future years. I’ve set three plants of two different buckwheats in the ground, and I have at least six pots of another buckwheat that I’m raising from seed. These are plants that have umbels of tiny flowers for two or more months of the year. And then the whole flowering assembly turns brown to black.
The first thing a typical gardener would be tempted to do is to chop the stem back. But these dried stems hover delicately over the plants and have a quiet beauty of their own. Once you change your expectations of how to maintain a plant–i.e., chopping off any dead flowers–and let the plants do their thing, they can be amazing in new and different ways. (Of course, many plants look much better by deadheading the spent blooms. It’s the rare garden plant that ages so gracefully as these santolinas or buckwheats.)

St. Catherine’s lace at Quail Botanical Gardens
Here’s a shot from the past weekend of
Eriogonum giganteum, St. Catherine’s lace, past its bloom period at Quail Botanical Gardens. This large buckwheat is native to the Channel Islands off the coast of Southern California, as well as some of the adjacent coast. It looks a little like Queen Anne’s lace for a while in the spring, and then the stems dry to a warm rust or dark brown that I didn’t capture very well in this photo of a plant in the shade.
It’s a look that’s more informal than many gardens in the neighborhood, a look the coexists easily with dried grasses and casual shrubs, but not with roses or manicured borders of annuals.
I’m preparing myself for the look with some of these untrimmed plants, and I’m already anxious for how the buckwheats will look next summer. And maybe by next summer the neighbors will be ready for the look, too. The untrimmed santolina is just the rehearsal.
October 08 2008 | Categories: gardening • landscape design • my garden | Tags: brown • buckwheats • Eriogonum • Eriogonum giganteum | No Comments »
The Internet is a humbling contraption. Any time you think you’ve got a new and exciting idea you can trawl the web for a few minutes and find that someone’s had the same idea long before you.
Case in point: With Halloween approaching, I was thinking about the color black and how that’s probably the last color you’ll hear a gardener talking about using in the garden. And then I run across this book online, Black Magic & Purple Passion: Dark Foliage and Flowers for the Garden, by Karen Platt. Dang. She got there first, and in the year 2000. I haven’t had a chance to look at the book yet, but it sounds like it could be a good resource for plants that feature the darkest, richest depths of color.
I shouldn’t have been surprised. For well over a decade now, violas and pansies have been available in dark black-purple colors. And from long before that, there’s been a near-black maroon hollyhock that goes back to Thomas Jefferson’s days at Monticello. And that’s just the tip of the black iceberg.
Looking around my garden I can come up with a couple more interesting examples of plants and flowers that come in black or something pretty darn close to it, dontcha know (as Sarah Palin might say…).

Salvia discolor
Andean sage,
Salvia discolor, has these little dark, dark flowers that read as black more than the profound purple that they are. In my garden the plant gets about three feet tall and like most sages sprawls a bit. It’s best used where you can appreciate the dark flowers up close. The rest of the plant is close to white in color–pale green on the tops of the leaves, white below–so this is a plant with lots of interesting contrast.

Black bamboo

Black bamboo plant
And then there’s black bamboo,
Phyllostachys nigra, the stems of which ripen in their second year to this beautiful black color.
Although listed as growing twenty to thirty feet, the plant in my garden has stayed closer to ten or twelve feet tall. Give it water if you want it big, or only an occasional offering, like I do, to keep it smaller.
Being a clumping bamboo it’s pretty well behaved when it comes to spreading. Here it’s contained on two sides by walls, and to keep it in bounds John dug a shallow trench joining the two walls, dumped in some leftover dry cement mix, and watered it in. The plant crosses the concrete line only occasionally, and when it does it’s easy to snip the wayward rhizomes.
The hardest job with this plant is thinning out the stems that have died back. Every other year I devote half an hour or so and disappear inside the plant with a pair of hand pruners–not a job for the claustrophobic. The job is best done after spring nesting season, after some of the local birds use the dense foliage to raise their young.
Want more ideas for black plants? Take a look at King Seeds, a seed resource in New Zealand where they have flowers arranged by color, including black! (There they list poppies, dianthus, nasturtiums and nemophila ‘Penny Black’ among their dark-flowered offerings.)
Halloween isn’t far away, of course. But these are great plants that deserve a place in gardens year round.
October 07 2008 | Categories: gardening • my garden • plant profiles | Tags: Andean sage • black • black bamboo • color • dark flowers • Phyllostachys nigra • Salvia discolor | 3 Comments »
Yesterday afternoon I had to run an errand up to coastal northern San Diego County. The destination was two, three miles from Quail Botanical Gardens, in Encinitas. Even with a prediction for possible rainshowers, it seemed like a worthwhile stop, particularly since I hadn’t been there for three or four years.

Entrance to Quail Botanical Gardens in Encinitas
Left: The entrance to Quail. Am I too much of a conspiracy theorist in thinking that the yellow flowers and foliage were planted to coordinate with the big yellow arrow pointing to the entry?
The first thing that hit me was the admission charge, which for John and me totaled twenty bucks. If they hadn’t been hosting a special event this weekend, there would have been an additional charge to park.
When I first started going there the garden was operated by San Diego County, and there either was no admission charge, or it was negligible. When the County hit financial hard times in the 1990s, one of the first things they decided to cut was public support for Quail. I’m a firm believer in public support of open space and gardens like Quail, and to have to pay this kind of surcharge is scandalous. To me it’s not an issue of my being cheap. Instead it’s a moral issue verging on democracy, the collective good, an notions of right and wrong.
The gardens are located in the county’s upscale coastal region, just a stone’s throw from the La Costa Resort and Spa, so the idea of paying ten bucks to look at plants might not seem like any sort of hardship to much of the community. But think of all the people that can’t afford to take advantage of the grounds. But that’s our county for you. At least, to their credit, the grounds orderly and the plants are well-maintained.
Anyway, back to the visit: We parked and took in the grounds. One of the highlights there is an impressive assortment of bamboos. Their pamphlet calls it “the nation’s largest collection of bamboo, from giant timber bamboo to exotic smaller bamboos for your home garden.” It was enough to make me want to take out the remaining lawn and replace it with a stand of running bamboos. John was less enthusiastic about the idea.

Giant tropical bamboo
It wasn’t hard to be impressed by the giant tropical bamboo,
Dendrocalmus giganteus.

Striped blowpipe bamboo

Striped blowpipe bamboo
Some of the “smaller” bamboos were pretty striking as well. These are two shots of the striped blowpipe bamboo,
Bambusa dolichoclada ‘Stripe.’ The plants are still tall but how tall I can’t say. It’s like being downtown somewhere: When you’re at the foot of a building it’s sometimes hard to tell if its a few stories tall or one of the major skyscrapers.

painted and variegated bamboos
Another of the bamboos with variegated yellow-and-green stalks is this painted bamboo,
Bambusa vulgaris ‘Vittata’, shown here with the variegated leaves of an unidentified smaller-growing bamboo. (A plant without a label? What kind of botanical garden is this?)

Alphonse Karr bamboo
Not all of the bamboos with variegated yellow and green stalks are huge. Here’s a relatively manageable Alphonse Karr bamboo,
Bambusa multiplex ‘Alphonse Karr.’

Bengal bamboo
This Bengal bamboo (
Bambusa tulda ‘Striata’) also exhibited a bit of striping, only in green and white. Only a few of the stalks had striping, so it’s not as pronounced as on the previous selections.

Bamboos with art
One of the programs Quail has is to incorporate pieces of art within the gardens. Here’s part of an installation of “Steeples,” eight colorful ceramic totems by Christie Beniston. It’s set in the midst of a shady grove of a running bamboo species that I couldn’t find a label for.
This is the planting that made me want to replace the current remaining patch of lawn. (Bamboos are giant grasses, so conceptually I suppose you could call a bamboo grove a giant lawn–and one you don’t have to mow!) Imagine opening the dining room door and having a grove of these puppies outside. It probably would cut down on the sunbathing opportunities, but this would be an amazing planting.
October 05 2008 | Categories: art • gardening • places • plant profiles | Tags: bamboo • botanical gardens • government funding • parks • Quail Botanical Gardens | 3 Comments »
The last of the tomatoes were starting to looked snacked on. And then there was this blatantly half-eaten apple leaning over the fence from the neighbor’s.
The fruits and veggies in my yard can go weeks with no competition from the local fauna. And then all of a sudden things start to go missing: that apricot that I’ve been eying for weeks, or the tomato that’s just starting to show color.
If there are lots of spoils to go around it’s not a big deal. But if we’re talking about that last tomato of the season, or the fall’s first leaves of kale, then I get very concerned.
The current critter problem: possums (or “opossums,” take your pick on what you want to call them). These little beasts keep vampire hours, appearing after sunset, and disappearing before the full moon sets. They have no problem getting high into trees or climbing over tall fences.
One recent night I was in the yard as the neighbors were talking. Then they got all quiet, like they were interrupted by something astonishing.
“Oh good. It’s going over to their yard,” someone said. And by “their,” they were of course meaning “my.” And I’m sure they had just experienced a possum sighting.
I have yet to see one this year, though I’ve seen the damage. [Cue the space-alien music…] They’re out there. Somewhere. Watching. Waiting. Ready to invade.
Maybe that’s why I just put on my stack of books to read Peter Coates’s American Perceptions of Immigrant and Invasive Species : Strangers on the Land, a book from 2006. I’ve only skimmed it so far, but there are discussions of invading animals like English sparrows and European starlings, and introduced plants like eucalyptus and Japanese cherry trees. And these outsiders are related to American notions surrounding immigration, xenophobic tendencies, and the American concern over attacks from outer space.
Perusing the index I’ve just noticed that there’s no mention of my immediate problem, the Virginia possum, an animal that was introduced to the West during the 1930s, perhaps as a potential food source during the Depression. Too bad.
I’m convinced that this little marsupial that’s laughed at in an unending supply of jokes about slow-moving roadkill-victims is actually a creature of some secret higher intelligence with immense powers. It clearly has it figured out how to control my mind. How else can you explain my working long hours, planting and tending my garden, just to keep the local possum population supplied with a delicious bounty of fresh produce?
Be very afraid.
October 04 2008 | Categories: gardening • my garden • rambles | Tags: garden pests • invasive species • opossums • Peter Coates • possums | 1 Comment »
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