Archive for November, 2008

hedges that i actually like

I’ll have to admit that I’ve never been a huge fan of hedges, partly because I’ve never lived in a house that had one of those clipped con­trap­tions that strad­dles the lines between gar­den­ing, archi­tec­ture and sculpture.

But then I ran into the work of the Bel­gian land­scape designer Jacques Wirtz who uses hedges in sur­pris­ing, inter­est­ing ways. He’s a major fig­ure in Europe, but isn’t well doc­u­mented in gen­eral gar­den books. The image to the left is from, as you might imag­ine, a book called The Wirtz Gar­dens, which appears to be the only work cur­rently out devoted to his work. The cur­rent book­seller prices start over $150 and quickly go up to sev­eral times that–At this point this is prob­a­bly a book for col­lec­tors only!

The cover image here shows hedge­work that flut­ters some­where between typ­i­cal hard-edged prun­ing and more asym­met­ri­cal Japan­ese styles (like “cloud prun­ing”). For an even bet­ter exam­ple, if you have access to Mak­ing the Mod­ern Gar­den by Christo­pher Bradley-Hoyle with Mark Grif­fiths, check out page 174 for a drop-dead gor­geous dou­ble hedge. In case you don’t have a copy nearby, let me do my best to describe it: A curv­ing brick walk­way steps gen­tly down a slope; imme­di­ately on either side of the walk­way are ever­green cloud-pruned ever­green box­woods that look bul­bous and deli­ciously amoeba-like; behind the box hedge is a small space, and then behind it is a taller hedge of decid­u­ous beech that’s been clipped in a more tra­di­tional, hard-edged style, with the edges mir­ror­ing the curve of the walk­way. The con­trast of the organic shapes against the geo­met­ric, and the perky light green of the box­wood against the twiggy green-and-brown back­ground of the beech is amaz­ing. This is one hedge design that plays up con­trasts between plants rather than aim­ing for a typ­i­cal hedge hege­mony of mak­ing every plant give up its indi­vid­u­al­ity and con­form to some mas­ter gardener’s plan.

And finally, a hedge from a pri­vate res­i­dence [ source ] that’s fea­tured on the master’s web­site. A hedge that isn’t all about order and conformity–Sign me up!

November 30 2008 | Categories: gardeninglandscape design | Tags: | 2 Comments »

why garden?

For­give this long let­ter; I don’t have time to write a short one.
–George Bernard Shaw

Blotan­i­cal is ask­ing gar­den blog­gers to answer a sim­ple ques­tion this month: Why do I garden?

But there’s a catch: The answer has to be SMS-sized, 160 char­ac­ters or less! The brief answers are quick and easy to read. To write one is not.

Here’s my attempt:

I gar­den in order to glimpse nature’s processes and rhythms, because my gar­den takes care of me at least as much as I take care of it, and because all our gar­dens mat­ter more than we’ll ever know.

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PS: If you don’t know Blotan­i­cal, you should. It’s a great online com­mu­nity of inter­na­tional gar­den blog­gers that has recently sur­passed the thousand-blog mark. If you fig­ure sev­eral years of expe­ri­ence for most of the blog­gers, you could con­sider that the site gives you easy access to sev­eral thou­sand years of com­bined gar­den­ing experience–plus all the blog­gers’ great sto­ries! Gar­den­ers are the best peo­ple, and this site will prove it.

November 29 2008 | Categories: gardeningquotes | Tags: | 9 Comments »

drip irrigation not a water conserving thing?

Poli­cies aimed at reduc­ing water appli­ca­tions can actu­ally increase water deple­tions… Con­ser­va­tion pro­grams that tar­get reduced water diver­sions or appli­ca­tions pro­vide no guar­an­tee of sav­ing water.”

These con­tro­ver­sial state­ments are part of the abstract of an arti­cle by Frank A. Warda and Manuel Pulido-Velazquez that was recently pub­lished in the cur­rent Pro­ceed­ings of the National Acad­emy of Sci­ences of the United States of Amer­ica. The study mainly looks at agri­cul­tural water use in the Rio Grande Val­ley, but some of its ideas and find­ings have rel­e­vance for our lit­tle back­yard farm­steads. This is an open-access arti­cle, so you don’t have to have some mag­i­cal lev­els of access to be able to read it online for free.

November 29 2008 | Categories: gardening | Tags: | No Comments »

a retail landscape

Here’s a post in com­mem­o­ra­tion of today, Black Fri­day, the day after Thanks­giv­ing when the hol­i­day shop­ping sea­son gets going in earnest.

When one of South­ern California’s first Ikea stores opened at the Tustin Mar­ket­place in Orange County twen­ty­ish years ago I was excited. I’d been over­sat­u­rated with the cheap, ugly depart­ment store mer­chan­dise that was avail­able in my bud­get range at the time, and the sim­ple and ratio­nal Ikea designs wafted in like a breath of Nordic oxygen.

The build­ings of the Tustin Mar­ket­place were dif­fer­ent from any­thing I’d seen at the time. They were huge and painted in intense col­ors of the earth. Although the archi­tec­ture shared some of the color sen­si­bil­i­ties of post­mod­ern archi­tec­ture of the 1980s, it was noth­ing like what was being done in sub­ur­bia at the time. The cen­tral land­scap­ing was also dis­tinc­tive: geo­met­ric, spiky, sculp­tural. Once again, this wasn’t straight out of the rule­book for how you do land­scap­ing for a sub­ur­ban shop­ping center.

I had seen designs by the Mex­i­can archi­tect Ricardo Legor­reta in archi­tec­ture mag­a­zines, and the com­plex in Orange County reminded me a lot of his work. Lit­tle did I know until fairly recently that he actu­ally was respon­si­ble for design­ing the com­plex. On my last trip up to Los Ange­les I made a point of stop­ping by the stores on the way home. Unfor­tu­nately, the Tustin Mar­ket­place hadn’t aged gracefully.

Tustin Marketplace: Where Linens 'n' Things used to live

Tustin Mar­ket­place: Where Linens

The Ikea was long gone. One of the main roads into the com­plex dead-ended at a stark earth-red wall, eas­ily forty or fifty feet tall, that bore the ghostly remains of where a Linens ‘n’ Things store sign had been removed. I’ve never vis­ited the pyra­mids of either Egypt or Cen­tral Amer­ica, but this is how I imag­ine it would feel: over­pow­er­ing, des­o­late, scaled to some over­in­flated sense of human self-importance.

It was late on a Sun­day morn­ing and most of the remain­ing stores were just open­ing up. It’s the time of day when you’re con­fronted with the acres of blank, blank, blank asphalt that make up so many of this country’s retail land­scapes. This is land that lies bar­ren and unused for fifty weeks out of the year and only springs into use for those few and intense days of hol­i­day shopping.

Tustin Marketplace: The barrens

Tustin Mar­ket­place: The barrens



Sheltering parking lot at the Tustin Marketplace

Shel­ter­ing park­ing lot at the Tustin Marketplace

But not every­thing was over­whelm­ing bleak­ness. The park­ing area next to the food court sported this dense grove of palm trees. The space made me think of the agri­cul­tural groves where dates are grown Indio, south of Palm Springs, in their sense of grace­ful geom­e­try over­head and shel­ter from the ele­ments. Pretty good for a retail park­ing lot, I thought.

Real landscaping with fake grass

Real land­scap­ing with fake grass

A few of the geo­met­ri­cal land­scap­ing details remained from the orig­i­nal design. In the first of these, the orig­i­nal slop­ing lawn had been replaced by one of the arti­fi­cial lawn replace­ment prod­ucts out there. It looks real enough when you’re zoom­ing by in a car, but even with its hype of look­ing bet­ter than Astro­turf, it’s noth­ing I’d want to have to stare at from the win­dows of the house.

Tustin-henge

Tustin-henge

And here, in the part­ing shot of the shop­ping cen­ter, a row of white mono­liths marks the tran­si­tion from the park­ing lot to the pub­lic street beyond.

So, is the Tustin Mar­ket­place a great exam­ple of archi­tec­ture or land­scape design? I’d argue no. Even though it’s right on Inter­state 5, I wouldn’t go out of your way to visit it any­more unless you need a snack or bath­room break from the free­way. But the com­plex was dif­fer­ent in its day, and I give it points for that. Addi­tion­ally, the land­scap­ing didn’t require much water to sus­tain it.

Inter­est­ingly, Ricardo Legoretta was behind the late 1980s redesign of Per­sh­ing Square in Los Ange­les, one of the city’s his­toric open spaces and a past gath­er­ing point for a diverse mix of the pop­u­la­tion. Sev­eral years ago I attended a con­fer­ence at the Bilt­more Hotel, which is located on the square. Even at that time Legorreta’s huge slabs of con­crete that had been painted pur­ple looked hos­tile and dated. Per­sh­ing Square was another of the architect’s pub­lic spaces that hadn’t aged grace­fully. There’s now talk of replac­ing the design with some­thing else.

November 28 2008 | Categories: gardeninglandscapelandscape designplaces | Tags: | 3 Comments »

glad for the rain

When I left work on Tues­day I was car­ry­ing an umbrella and feel­ing a lit­tle duped. The weather ser­vice folks had pre­dicted a big storm to begin that day, but I ven­tured out into an almost cloud­less early evening.

A friend of a friend is a phys­i­cal oceanog­ra­pher down at Scripps Insti­tu­tion, and the word from him was that this weather sys­tem had pulled into the atmos­phere more mois­ture than any storm over the last five years. So accord­ing to him as well as the weather ser­vice, this was going to be a big one.

Welcome mat in the rain

Wel­come mat in the rain

The rain finally began in earnest yes­ter­day after­noon, com­ing in squalls and down­pours rather than a con­tin­u­ous driz­zle. A lit­tle before five this morn­ing we got the biggest del­uge so far that caused a loud roar that woke up every­one in the house. And it’s still rain­ing now. It’s one of my favorite forms of enter­tain­ment, and in fact I have one of the doors open right now so I can hear it better.

So, today, a day when peo­ple acknowl­edge the good things in their lives, I’m count­ing the first seri­ous rain in many months as one of my many fine and beau­ti­ful things.

Here’s wish­ing all of you a great holiday!

Now I’d bet­ter get off the com­puter and get the dough ris­ing for the after­noon bread…

November 27 2008 | Categories: rambles | | No Comments »

reclamation

The house behind us has a back fence that is about fif­teen feet behind our rear fence. Between the two is a no-man’s-land of unmain­tained ice­plant, ivy and what­ever else has escaped from the adja­cent gar­dens. In some neigh­bor­hoods this might be the loca­tion for a back alley. But with lot of the back house ris­ing six feet over ours, the land is too sloped to accom­mo­date much more than a nar­row con­crete cul­vert to drain the slope behind us and keep the infre­quent rains from inun­dat­ing all of us below.

A view of the Back 40

A view of the Back 40

We have a gate that leads into this space of ambigu­ous own­er­ship, but I’d never spent much time back there until a recent project to repair the fence.

I looked with con­tempt at the thick mat of ice­plant. Botan­i­cal shag car­pet­ing, I thought. Every ignored space in town is cov­ered with it. It does next to noth­ing to pro­vide habi­tat for the local fauna. Although it’s often planted to sta­bi­lize a slope, its weight can actu­ally pull the slope down more than hold it in place. Yes, it’s very drought-tolerant, and it’s ser­vice­able in some sit­u­a­tions. But the plant for me usu­ally rep­re­sents a colos­sal fail­ure of the imag­i­na­tion. We can do bet­ter than this.

I just hap­pened to have two pots of seedlings of the native sacred datura, a.k.a. toloache, a.k.a. Datura wrightii. The plant eas­ily grows six or more feet across, and I real­is­ti­cally had no space for it in the gar­den around the house. The light­bulb over my head came on.

One of the daturas planted in the back 40

One of the dat­uras planted in the back 40

It’s amaz­ing what ten min­utes with a trowel, a water­ing can and two pots of plants can accom­plish. In this sec­ond photo, lower right, is one of the datura seedlings that I inserted into the thatch under the iceplant.

I must admit that after plant­ing them I for­got to water them for almost a week of dry weather well into the eight­ies. Expect­ing to see car­nage, I was sur­prised to instead see the plants look­ing at least as happy as they were in their seed pots. I gave them another drink of water, but that may be all they’ll require from here on out. Start­ing next spring, I’m hop­ing to bee able to see their amaz­ing morning-glory flow­ers from my deck, unfurl­ing at dusk to greet the night.

From my last walk in the local wilds I came home with a nap­kin folded around the seeds of another plant I pre­vi­ously didn’t have room for. I’m thrilled. I’ve got a whole new plot to garden.

November 25 2008 | Categories: gardeningmy garden | Tags: | 2 Comments »

snowflakes and insects

Snowflakes? What does this San Diego guy know about snowflakes?

Maybe a cou­ple things–at least if we’re talk­ing about the cut paper kind.

Paper snowflake

Paper snowflake

I’m sure it was an ele­men­tary school project at some point, fold­ing sheets of paper, then cut­ting through the dif­fer­ent lay­ers with scis­sors, and then finally unfold­ing the paper to reveal an intri­cate paper-lace snowflake. I thought it was magic the way one nick with the scis­sors, cut­ting through mul­ti­ple lay­ers of paper at once, mul­ti­plied into many iden­ti­cal lit­tle removals all over the snowflake. And I still kinda think the process is magic.

Canna leaf with insect damage

Canna leaf with insect damage

I was reminded of those paper snowflakes when I saw this gor­geous photo Jenny sent me of a canna leaf that had been munched by some gar­den beastie. It looked like the leaf was still devel­op­ing when the bug bur­rowed a hole from the out­side towards the stem. When the leaf unfurled, the insect dam­age unfurled along with it, cre­at­ing these uni­form, rhyth­mic lit­tle cuts in the leaf.

Pretty artis­tic insect, no?

November 21 2008 | Categories: artgardening | Tags: | 4 Comments »

the quilt’s progress

I wrote ear­lier about Linda offer­ing to make a wed­ding gift of a quilt for John and me. I got word last week that all the squares were com­pleted, and Sun­day I stopped by to con­sult on their arrangement.

Our quilt nearing completion

Our quilt near­ing completion

Here’s how the quilt looked in its near-final ver­sion as it was all laid out on her liv­ing room floor. Come on every­one, tell Linda how gor­geous her quilt looks!

Linda likes to live with these arrange­ment deci­sions before stitch­ing things together, and we had fun mov­ing a few blocks around, fine-tuning the arrange­ment. On the table in front of the quilt you can see the rough mockup I did of the quilt after scan­ning the fab­rics and play­ing a morn­ing with Pho­to­shop. It ended up being a great way to pre-imagine how things would look. The blocks are in dif­fer­ent places, but the over­all quilt looks a lot like the early sketch.

The design is based on a quilt by Liz Axford that was exhib­ited in the Quilt Visions quilt show in 2002. Enti­tled “Bam­boo Boogie-Woogie,” that quilt was an abstracted take on bam­boo stems.

Bamboo at the Neurosciences Institute

Bam­boo at the Neu­ro­sciences Institute

Closeup of Bamboo at the Neurosciences Institute

Closeup of Bam­boo at the Neu­ro­sciences Institute

Speak­ing of bam­boo, it was an inter­est­ing bit of coin­ci­dence that the night before I’d attended a con­cert by the Hill­crest Wind Ensem­ble, a band that John some­times plays in. The venue was the Neu­ro­sciences Insti­tute in La Jolla, a nice piece of archi­tec­ture by Billy Tsien and Tod WIlliams, with strik­ing land­scap­ing done by the San Diego County firm of Bur­ton Asso­ciates. The grounds fea­ture this amaz­ing long rec­tan­gle filled with golden bam­boo that must be my favorite sin­gle plant­ing of bam­boo any­where. (The plant­ing is even more impres­sive by day, but that’s not when I was there…)

The bam­boo con­nec­tion goes even fur­ther. The archi­tects of the Neu­ro­sciences Insti­tute designed an exhi­bi­tion at the National Build­ing Museum devoted to con­crete as a build­ing mate­r­ial. Part of the space included these forests of steel rein­forc­ing rods, rebar, that are used to strengthen con­crete. At least to my eyes the instal­la­tion bears more than a pass­ing resem­blance to the bam­boo plant­ing at the Neu­ro­sciences Insti­tute. Or am I just delu­sional? (This photo by Frank Oude­man [ source ] )

Another of Linda's Quilts

Another of Linda’s Quilts

But back to quilts…

Linda’s house, like the home of many quil­ters, is a one-person quilt show, with lots of great exam­ples of her work. I’m a pretty visual per­son and I can always look at more cool things. It so hap­pened that the Quilt Visions quilt bien­nial was hap­pen­ing up the coast at the Ocean­side Museum of Art. That was an obvi­ous exten­sion to the after­noon if I ever heard of one.

Some museum exhi­bi­tions allow pho­tog­ra­phy in the gal­leries, oth­ers don’t. Unfor­tu­nately this was one of those no pho­tog­ra­phy ones. You’ll have to take my word that the show had a few drop-dead spec­tac­u­lar art quilts, as well as sev­eral that spoke qui­etly and revealed their secrets slowly as you looked ever closer at them.

It’s the sort of show that will either inspire you to take up quilt­ing or to intim­i­date you into giv­ing up all hope of ever mak­ing any­thing beau­ti­ful out of fab­ric and thread. Even though I have a Y chro­mo­some and quilt­ing isn’t typ­i­cally a guy thing, I think I ended up being inspired. Now, some­one please give me a few months of free time so that I can start up yet another obsession…

The pont in front of Oceanside Public Library

The pont in front of Ocean­side Pub­lic Library

And here’s one final pic­ture. The museum was part of a civic cen­ter com­plex designed by the archi­tect Charles Moore. The very com­fort­able, human-scaled build­ings take their design clues from Irv­ing Gill, San Diego’s most dar­ing archi­tect of the early 20th cen­tury. Gill used the Spanish-inspired arches of this region and stripped them down to their essen­tial geom­e­try: tra­di­tion and his­tory meets modernism.

Part of the com­plex is the Ocean­side Pub­lic Library, and here’s the pond in front of it. Sorry, no more bam­boo, but what a ter­rific way to plant palm trees, each on its own lit­tle geo­met­ric island…

November 20 2008 | Categories: artgardeninglandscape design | Tags: | 1 Comment »

the new spring

Autumn: It’s the new spring.

At least that’s seem­ingly the case for those of us in Mediter­ranean cli­mates. With our dry sum­mers and moist win­ters, the plants best adapted to our cli­mate come close to tak­ing the sum­mer sum­mer off, and then use the onset of cooler, wet­ter weather to start think­ing about get­ting grow­ing again. Some of the shrubs in the local canyons drop some or all of their leaves in response to drought stress, and most of the wild­land annu­als dis­ap­pear not long after the last rains. Our long brown sea­son of sum­mer could almost be con­fused with the depths of win­ter in other areas.

Leafless Coreopsis gigantea

Leaf­less Core­op­sis gigantea

Left: Core­op­sis gigan­tea in its defen­sive, leaf­less sum­mer mode.

Read­ing the recent blogs from those other cli­mates, I’m notic­ing that peo­ple are start­ing to with­draw from their gar­dens, hol­ing up with some favorite plants trans­planted into pots to over­win­ter indoors. These gar­den­ers are think­ing about sit­ting down with plant cat­a­logs and look­ing ahead to the hol­i­days, and then to warmer days and the reemer­gence of their gardens.

Garden before transplanting and thinning

Gar­den before trans­plant­ing and thinning

Garden after autumn thinning and transplanting

Gar­den after autumn thin­ning and transplanting

Here in San Diego, how­ever, I started off Sep­tem­ber by trans­plant­ing plants around the gar­den, read­just­ing plant spac­ing and color relationships.

Left: Some of the gar­den before and after autumn thin­ning and transplanting.

Autumn seedlings

Autumn seedlings

I planted dozens of lit­tle pots of seeds of plants that I want to grow this fall and next year: giant core­op­sis, datura, buck­wheats from the Chan­nel Islands, mal­lows from the desert, mil­let for the birds and some South African restios for a spot in the gar­den where the orig­i­nal plants haven’t aged grace­fully. It’s a frenzy of activ­ity of the sort that peo­ple in other cli­mates would asso­ciate with late win­ter and early spring.

Autumn weeds

Autumn weeds

All sum­mer, the patches of earth that get almost no sup­ple­men­tal water stay brown and vir­tu­ally weed-free. Once the rains return, the weeds begin to claim the uni­verse and the weed­ing chores begin again.

For­tu­nately, a layer of mulch makes a world of dif­fer­ence in keep­ing down weed seedlings. Unfor­tu­nately, areas where you want to sow wild­flower seed can’t be mulched at all if you want the lit­tle seeds to ger­mi­nate on their own. To keep down my work­load, this year I’m iso­lat­ing the wild­flower patches to just a cou­ple spots, around a cou­ple lit­tle trees that will drop their leaves for the win­ter. We’ll see how well that works out…

A few spots in my gar­den don’t have to abide by strictly Mediter­ranean water require­ments. There’s a small herb and veg­etable gar­den that gets mod­er­ate doses of water year-round. A new raised bed har­bors some trop­i­cals that get to stay moist, as well as some other selec­tions that need a lit­tle help with the water. This is the part of the gar­den that gets to expe­ri­ence sum­mer along with the rest of the world. So the task of weed­ing never com­pletely comes to an end, although it’s greatly local­ized to these spots that get watered one to three times a week.

All in all, this 2% of the Earth’s land mass that expe­ri­ences this Mediter­ranean cli­mate (the region around the Mediter­ranean Sea, west­ern South Africa, parts of the Chilean coast, west­ern Aus­tralia, and much of Cal­i­for­nia) has its own sea­sonal cycles that don’t sync up eas­ily with the rest of the world. Gar­den­ers in other areas might not under­stand us. For­give us if we have this glaze of antic­i­pa­tion coat­ing our moods these days. Even as we worry about weeds and increased gar­den chores, fall is here, and it’s the emer­gence of a whole new sea­son in the garden.

November 16 2008 | Categories: gardeningmy gardenrambles | Tags: | 6 Comments »

protest weather!

Today was a national day of protest against dis­crim­i­na­tory ini­tia­tives that were approved by vot­ers on elec­tion day. Cal­i­for­nia just barely passed its Propo­si­tion 8, and that slap in the face against civil rights has stirred up a com­mu­nity in ways that haven’t been seen since the Rod­ney King police bru­tal­ity protests of the 1990s.

Protest sign

Protest sign

The starting point in Balboa Park

The start­ing point in Bal­boa Park

I joined a small protest last week­end, and this morn­ing I headed over to Bal­boa Park for what was promis­ing to be a much larger parade and rally.

If you don’t know the park, it’s pretty much the equiv­a­lent of San Diego’s front yard, and is one of the great civic parks in the US. Many of the city’s muse­ums and zoo are there, and it’s a great com­mu­nal gath­er­ing place for every­thing from fam­ily pic­nics and pickup vol­ley­ball games to big civic events like Earth Day cel­e­bra­tions and the start­ing point for today’s Prop 8 protest march.

Befor ethe march

Before the march

There were peo­ple every­where. Thou­sands of them! This front yard was get­ting pretty crowded fast. You couldn’t have asked for a bet­ter Novem­ber day: sunny, warm (even hot), light breezes that helped keep you stay cool but didn’t blow signs out of your hands.

We got going a lit­tle before 11:00, and fol­lowed route that took us through down­town and over to the County Admin­is­tra­tion Build­ing, where many of us were mar­ried over the last five months. Peo­ple honked and waved and were amaz­ingly sup­port­ive. Peo­ple were on their condo bal­conies, wav­ing. Ser­vice work­ers at the hotels came out on break and shouted their sup­port for us.

The parade, heading into downtown

The parade, head­ing into downtown

Here you see the parade head­ing into down­town. The marchers were whoop­ing it up at this point. Part of it was the enthu­si­asm. Part of it was an appre­ci­a­tion for the first sign of shade on the parade route.

There were a lot of peo­ple. (Yes, that’s marchers extend­ing all the way into down­town.) The local paper’s story says some­thing like twenty to twenty-five thou­sand.

The end of the parade at the protest site

The end of the parade at the protest site

And here’s the end of the parade and the site of the rally. One of the parade chants went: What do you want? Equal rights! When do you want them? Now! But I will admit that at this point some of us were sub­sti­tut­ing “lunch” for “equal rights…” Protest­ing is such hard work!

But all in all a mag­nif­i­cent show­ing, an amaz­ing day, and a great affir­ma­tion of com­mu­nity and support.

Any­one who thought things were con­cluded by the mob-discrimination on elec­tion day are so wrong. How do you stop pos­i­tive energy like this?

November 15 2008 | Categories: rambles | Tags: | No Comments »

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