talk about it

Some peo­ple think that con­ver­sa­tion has run dry when you start talk­ing about the weather. They’re obvi­ously not gardeners–or even golfers or jog­gers or con­struc­tion work­ers. Weather mat­ters. And I can’t think of many things nearly as fascinating.

Here in the far south­west­ern cor­ner of the coun­try it’s been dry. Scary dry, almost. I have buck­ets below the eaves to catch and save runoff from the roof, and even last week’s “big rain” day didn’t fill them more than half way. At least the storm had the decency to drop some rain by the time I was leav­ing work so that I didn’t feel like a fool for bring­ing an umbrella and tak­ing the car instead of rid­ing my scooter.

Today we’re in Day Two of a sev­eral days of pre­dicted light rain. I’ll keep my fin­gers crossed.


It’s not that I don’t appre­ci­ate the sunny days. Last month we picked a bright weekend–we had many choices–to head east, into the desert. Des­ti­na­tion: Sal­va­tion Mountain.

I’m about as reli­gious as Howard Stern is sub­tle, but you couldn’t not to feel the earnest­ness of this big pile of folk art.

The whole instal­la­tion is built into a hill­side, using not much more than hay­bales, mud and paint. As we walked over it you could hear things crunch­ing under­foot. With­out con­stant main­te­nance the whole thing would start to degrade into the desert around it.

This is a polaroid that some­one had left show­ing Leonard Knight, the man who built this. He gave me a detailed per­sonal tour the last time I vis­ited, maybe five years ago. But the news reports last fall men­tioned that Mr. Knight’s demen­tia was tak­ing over, and he had been insti­tu­tion­al­ized in a facil­ity in El Cen­tro. For an art­work as frag­ile as this is, it seemed like this win­ter might be the last time to see the place in the state that he left it, before the desert claimed it.

The side of the Moun­tain that faces west is crossed by a painted yel­low path up the moun­tain that you can see in this image, the Yel­low­brick Road.

I’m not sure what the main high­way from the Wiz­ard of Oz has to do with the Chris­t­ian mes­sages being com­mu­ni­cated, but there it is. Please stay on it.

Peo­ple bring stuff here. This bible, blow­ing in the wind, fits right in.

Some­thing else peo­ple bring here is paint, thou­sands of gal­lons of it. Used to be, you came to Sal­va­tion Moun­tain, you’d bring a bucket of paint. It was a great way to share paint left­over from projects. The word now, though, is that peo­ple should leave their paint at home, now that Mr. Knight isn’t able to do any­thing with it.

Built into one size are a series of grot­toes that appear to have been built as lit­tle shrines. On a scorch­ing mid­sum­mer day these spaces are a cool escape. Peo­ple have brought con­tri­bu­tions here too, but I’m not sure if the angel and bowl­ing tro­phies were orig­i­nal to Leonard Knight’s orig­i­nal vision.

Parked in front are sev­eral art cars that have been cus­tomized by Mr. Knight. At this point I’m sure they’re fixed sculp­tures and no longer mobile.

[ Details of the art cars… ]

Another fea­ture of the Moun­tain is the side maze-feature, made of tele­phone poles, sal­vaged trees and more hay­bales, mud and paint. It’s hard to pho­to­graph but would work great as a video shown from inside as you walk through it.

Here’s a view from inside the maze, look­ing up.

As long as we were way out in the desert, we stopped by the shores of the Salton Sea, just a cou­ple miles away.

Part of the south shore is set aside as the Sonny Bono Salton Sea National Wildlife Refuge. (Yes, that Sonny Bono, Cher’s late ex.) You don’t see any in this pic­ture, but birds were every­where. You hear about the Pacific Fly­way but it’s always a stun­ning expe­ri­ence to visit one of the main avian truck­stops along the route.


And with this image we return to the theme of rain and water. This view­point is a fairly famous one. I’ve seen a few pho­tos shot from here, with trees cov­ered in birds and still water below, reflect birds and trees. (I have a few old shots myself.) But that was prob­a­bly ten years ago.

South­ern Cal­i­for­nia has been draw­ing increas­ing amounts of water that was for­merly used by farm­ers around the Sea. With less agri­cul­tural runoff to feed it, the water level has been drop­ping, so that the Sea itself is now a quar­ter mile away.

My lit­tle buck­ets of water, plain­tively wait­ing for the rain, prob­a­bly will do next to noth­ing to restore the Salton Sea. But a drop in the bucket is more than noth­ing at all.

February 12 2012 06:00 am | Categories: artgardeningplaces | Tags:

10 Responses to “talk about it”

  1. Elephant's Eye on 12 Feb 2012 at 11:06 am #

    What will hap­pen to the Salton Sea, and the birds?

  2. Sue Langley on 12 Feb 2012 at 12:44 pm #

    Yes, very dry. In ten years I’ve not expe­ri­enced as lit­tle rain or snow here in Cen­tral CA moun­tains. We’ve had four imper­cep­ti­ble rains since Octo­ber 1st when usu­ally it’s 12–15 inches by now. A win­ter for the his­tory books, but then why not? We tend to expect what we always have, not think­ing of any of any time period not our own.

    I would imag­ine that the Salton Sea will do what it has always done, dimin­ish imper­cep­ti­bly to the eye but not the cen­turies. Here we’ve had a “50 year snow” and most of Cal­i­for­nia has expe­ri­enced drought through my life­time. Will be wait­ing to see the effect of this ‘win­ter’ and hope it’s not to bad for any indi­vid­u­als. I sure have been enjoy­ing the sunny weather each day we’ve had it.

  3. maggie on 12 Feb 2012 at 7:51 pm #

    Great post! I love your pho­tos and his­tory of Sal­va­tion Moun­tain. That struc­ture is prob­a­bly the only thing around ben­e­fit­ing from not get­ting rained on.
    Thanks for remind­ing me that the Salton Sea is a fly­way stop off—it always seems so oth­er­worldly.
    I’m with you wait­ing on rain. Dry up here, too, with just light wash­ings off from pass­ing storms.

  4. Town Mouse on 12 Feb 2012 at 8:26 pm #

    We’ve had the dri­est win­ter on record (since 1865, I believe, and that 8 is not a typo). Very scary. The plants cope some­how, but I’m wor­ried how they’ll do when it warms up.

  5. ryan on 12 Feb 2012 at 11:51 pm #

    I’ve wanted to see Sal­va­tion Moun­tain and the Salton Sea for years. There are a few too many good climb­ing areas between here and there, so I’ve never made it, unfor­tu­nately. It looks awe­some. That’s too bad about the cre­ator going to a home.

    I hear you about the weather. It’s hard to not be obsess­ing about it.

  6. ricki on 13 Feb 2012 at 12:09 pm #

    Sal­va­tion Moun­tain reminds me of the Watts Tow­ers: one man’s vision backed up by the energy and per­se­ver­ance to see it through. I view it as a form of genius, but for many I would guess that it would be hard to deci­pher just when “demen­tia” replaced commitment.

  7. Janet/Plantaliscious on 15 Feb 2012 at 6:45 am #

    Extra­or­di­nary. And a lit­tle dis­turb­ing. One won­ders what led him to start such a project in the first place — it will be inter­est­ing to see whether any­one starts to repair it all as the desert makes inroads, or whether it will just grad­u­ally be re-absorbed into the land­scape. Though I worry what all that paint will do to the ecosystem?

    Sad to see a nat­ural won­der like Salton Sea dimin­ished because of mankind’s water demands. I hope you get some seri­ous rain soon.

  8. Desert Dweller / David C. on 15 Feb 2012 at 11:15 am #

    Great com­ment on weather — hardly bor­ing, even where it is often benign (like San Diego), let alone where it is wild. Many “professionally”-designed and layper­son land­scapes fail seems due to igno­rance of cli­mate and weather. Oops!

    The desert really attracts some peo­ple with inter­est­ing pas­sions and pur­suits. I have always won­dered about “Felic­ity”, just W of Yuma. And so many oth­ers. Ed Abbey, Charles Man­son, etc…some inter­est­ing char­ac­ters, many that come about being too iso­lated from others.

  9. James on 15 Feb 2012 at 7:48 pm #

    EE, the Salton Sea occu­pies a depres­sion that has cycled through wet and dry over mil­len­nia. I think that it last dried up 500–600 years ago, and was basi­cally dry until an engi­neer­ing acci­dent with water diver­sion from the Col­orado River recre­ated Lake Cahuilla. If the Sea van­ishes into the desert, I sup­pose the birds will redis­cover the Col­orado River on their migra­tion routes. But it would be loss for sure.

    Sue, some of local water depart­ments are freak­ing out that peo­ple aren’t using enough water to fit their eco­nomic pro­jec­tions. If the Sierra snow­pack comes in really low this year I expect we’ll be need­ing to con­serve even more–or sip up more of the water that could feed the Salton Sea.

    Mag­gie, the noisy pres­ence of all the birds adds to the sur­real sight of a giant brack­ish lake fed by agri­cul­tural runoff that foams at the shore­line from some unknowns that make up the chem­i­cal recipe of the Sea. Strange place.

    TM, nice to hear your plants are doing okay. Still, I won­der what the long dry sum­mer will do to plants that are likely going to be under drought stress.

    Ryan, really, why would a climber want to go some­where 200+ feet below sea level?! It’s worth the trip, though, in a disaster-tourist kind of way.

    Ricki, mad­ness, genius, it all seems part of the same con­tin­uum, doesn’t it!? What sane per­son would do any­thing like this? But give me a few acres and some paint and a big pile of free time–who knows what we’d come up with?

    Janet, the “Why?” ques­tions looms large when you look at some­thing like Sal­va­tion Moun­tain. In lots of ways it’s refresh­ing to see that kind of focus and energy, enough to turn a Mr. Sour­puss like me into some­one a lit­tle more hope­ful about the quirky, heart­felt things that peo­ple decide to do. I know Leonard Knight drew some inter­est from film­mak­ers who asked the same question.

    David, do I really have to include Char­lie Man­son in my close cir­cle of asso­caites who’ve been trans­formed by the desert. Ed Abbey–I’m there–but Man­son? I guess there’s a guar­an­tee that the desert will change you. How is another mat­ter. Funny about Felic­ity. I started a post on it when I went through 2–3 January’s ago. I’ll have to dust it off. Talk about strange things going on in the desert. An out­door museum in the Cal­i­for­nia desert with a big dis­play devoted to French avi­a­tion? Only in Cal­i­for­nia. Only in the desert.

  10. Country Mouse on 18 Feb 2012 at 11:13 pm #

    So far we are squeak­ing by for water, since the rain in later Jan­u­ary any­way. I have a soft spot for indi­vid­ual projects like this. large or small. I used to live in a sub­urb of small front gar­dens many of which were exten­sively worked over in indi­vid­ual and idio­syn­cratic ways. Fun to walk the dog there. Santa Cruz has a goodly share of inter­est­ing small front yards too. But the scale of this is quite remark­able, from what the pho­tos show.

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