high-res camera in the october garden

Is a cam­era with more megapix­els bet­ter? In our big­ger is bet­ter cul­ture your might be inclined to think so, but for every­day use more could be seri­ous overkill. Here’s a quick look at some of what a super-high res­o­lu­tion cam­era can do with sub­ject mat­ter in the early autumn garden.

One of the main rea­sons for a pile of megapix­els is for mak­ing large prints. My back­ground in large-format film cam­eras got me used to being able to pro­duce 20 x 24 inch prints that you could look at with a mag­ni­fy­ing glass to see even more detail. That’s not a require­ment for most photographers.

Here’s a shot of Corethrog­yne (a.k.a. Lessin­gia) filagini­fo­lia next to some step­ping stones in the gar­den. Flow­ers this time of year are pretty thin, and this is one of the great plants that comes to the res­cue by bloom­ing in late sum­mer and fall.

This is a full-pixel crop of the above. (Click to enlarge to 600 x 900 on your screen.) The dried flow­ers are pretty sharp, still. The open flower is a lit­tle blurry, but that’s more from being a lit­tle out of focus. It’s not great art, but if you were to print the first image full frame, the extra res­o­lu­tion would let you make prints with nice detail.

Related to the issue of mak­ing larger prints, images with higher megapix­els allow you to make nicer look­ing cropped ver­sions. You might want to crop an image for prints, or you might just want to be able to show close­ups from a larger image for use on the web.

Sar­race­nia leu­co­phylla “Super Swamp Ghost,” putting out some new pitch­ers for the fall. This is the orig­i­nal full-frame image. The pic­ture has stuff on the mar­gins that I thought was pretty distracting.

This is a slight crop of the pre­vi­ous, mak­ing a cleaner illus­tra­tion with fewer dis­trac­tions. You’d be able to do this with most images from most cameras.

But what if you decided to crop to iso­late just the mouth of one of the pitch­ers? I saw the one large fly when I took the photo, but I didn’t see the smaller one to the right until I looked closer.

Or how about get­ting really close, to take a really good look at the big­ger fly? Or how about want­ing to take a look at the hairs on the inte­rior of the pitcher that direct insects down­ward, into the tube, into the diges­tive juices, never to escape. This is where the higher res­o­lu­tion orig­i­nal image gives you more options.

Why yes, you’d be able to accom­plish some of this with a good zoom lens on your cam­era. But if you wanted to extend the reach of your zoom, it helps to have a photo with more infor­ma­tion in it. Also zoom lenses don’t gen­er­ally give you same image qual­ity as lenses of fixed focal length, so that a $150 fixed lens can give results that would dust a pre­mium zoom more than ten times the price.

The rest of these images are just quick looks at other things in the gar­den, not nec­es­sar­ily any­thing you’d want to print at a large size. I’ve down-sized the images from 7360 x 4912 pix­els to 900 x 600, and this blog page fur­ther reduces them to 300 x 200. (Click to see the inter­me­di­ate size.) If you only need pho­tos this size, there’s prob­a­bly no real need for a high megapixel camera.

Another of the pitcher plants, Sar­race­nia Sky Watcher.

Sar­race­nia leu­co­phylla, “Hot Pink” clone from Botanique.

Sar­race­nia Green Mon­ster x xcour­tii, a cross by Rob Co of The Pitcher Plant Project.

Sar­race­nia alata x minor with a gar­den frog, con­tem­plat­ing the uni­verse, decid­ing if it needs a high megapixel camera.

Dried flower heads, late sea­son, on black sage. Salvia mel­lif­era.

A sure sign that autumn is here, the dried flower heads and sup­port­ing stems from San Miguel Island buck­wheat, Eri­o­gonum grande var. rubescens. If you water the plant more than I do it’d stay a lit­tle greener. This plant is any­thing but dead, with there still being lots of green closer to the crown of the plant. Some peo­ple would cut all this back, but I really like how it looks draped over this pati­nated wall.

Cropped and focused a lit­tle dif­fer­ently and pho­tographed with a lit­tle more care than my quick snap­shot this might make a nice wall print.

FYI, the cam­era used here was the Nikon D800E, which is cat­e­go­rized at 36.3 megapix­els. That’s pretty extreme for a small DSLR. But if you want to talk about extremem minia­tur­iza­tion, there’s even a 41 megapixel cell­phone cam­era, the Nokia Pure­View 808. Word on the street is that it’s not a par­tic­u­larly great picture-take much higher than when you set it at at 5 megapix­els, within the range many cell­phone cam­eras oper­ate in. Mak­ing a 41 megapixel cell­phone cam­era seems to be a mostly a stunt, tech­ni­cally an extremely high-res cam­era, but alm­sot use­less when oper­ated that way. The Nikon by con­trast is actu­ally a good camera.

11 thoughts on “high-res camera in the october garden

  1. catmint

    dear james, thank you for a timely use­ful les­son. I am on a steep learn­ing curve photography-wise and this post pro­vided me with a def­i­nite boost. Par­tic­u­larly about the link between want­ing to crop and higher pix­els. I took the trou­ble to click on your pho­tos to enlarge them and it was worth it. Pitcher plants are fas­ci­nat­ing as well as mag­nif­i­cent to look at. I saw a head­ing recently that pol­lu­tion is caus­ing car­niv­o­rous plants to become veg­e­tar­ian. Have you heard about this? cheers, catmint

  2. James Post author

    Cat­mint, I remem­ber some dis­cus­sion on the car­niv­o­rous plant dis­cus­sion boards about the veg­e­tar­ian car­ni­vore question…something about how nitro­gen in the air was get­ting fixed when it rains, allow­ing the plants to soak up nutri­tion from the water and soil instead of need­ing to get it from insect prey. Long-term it sounds bad for the evo­lu­tion of these amaz­ing plants. Short-term I won­der about the plants’ health. I know that one of the worst things you can do is to give these plants much food. Even with the Cal­i­for­nia native plants I showed in addi­tion to the car­ni­vores, they fre­quently do bet­ter with­out plant food, just get­ting what they need from the soils so that they don’t grow too suc­cu­lent and start attract­ing ordi­nary gar­den pests.

  3. catmint

    I am deeply sus­pi­cious about ‘plant food’ sold in nurs­eries. Com­posted mate­ri­als and appro­pri­ate soil pro­vide plants with food. I cyn­i­cally assume ‘plant food’ mainly ben­e­fits those in the hor­ti­cul­tural industry.

  4. James Post author

    Cat­mint, I will use plant food on pot­ted plants, but I fig­ure that they’re under dis­tress and need more sup­port to keep them nour­ished. But for plants in the ground…I might give my toma­toes some food, but I don’t fer­til­ize most of the rest of the garden.

    Faisal, thank you! I love excuses to go into the garden.

    Diana, I love how cam­eras work so well as a spare pair of eyes with a brain attached to remem­ber things, let­ting us see things we missed the first time around.

  5. Desert Dweller / David C.

    This is so use­ful to me, and I thank you for shar­ing your insights! I really need to bump up my equip­ment from my hand-held Costco-special Olym­pus! You prove the pur­pose and that there’s no need to have mega-mega pix­els for the sake of them alone.

    Glad fall is there, even if it’s SD’s sum­mery fall! Ours’ is flow­ery and/or bad winds. Just had many Salvia greg­gii blooms des­ic­cated into sub­mis­sion by the latter…fall.

  6. James Golden

    This is help­ful. I have a low end Can­non Rebel with a kit zoom lens and I’ve been extra­or­di­nar­ily dis­ap­pointed with the res­o­lu­tion (it’s 10 or 12 megapix­els, but I think that’s not the prob­lem). From what you write, I think my lens is the prob­lem. I think I’ll try fixed focal length (non­zoom) lens and see what I get. Even using the full image, I get very poor res­o­lu­tion. I’ve also read the Canon image sen­sor is smaller than many com­pa­ra­ble cameras.

  7. James Post author

    David, I’ve tried to do bod­ies of work with some of the most pedes­trian equip­ment like a cell­phone cam­era, but there’s just so much you can do with mak­ing work about lim­i­ta­tions and what the cam­era can’t do. Match your pho­to­graphic tool to the task and you’re much of the way there.

    James, most of the recent non-cellphone cam­era pho­tos on my blog have come out of a Rebel. Given rea­son­able optics and a steady hand the Rebel can pro­duce excel­lent results for most online uses. Canon’s sen­sor is a smidge smaller than Nikon’s for that class of cam­era, but I think the dif­fer­ence is neg­li­gi­ble, par­tic­u­larly when com­pare to the “full-frame” cam­eras that have sen­sors the size of a 35mm frame. The lat­ter are much pricier, and really unnec­es­sary for mak­ing images up to 11x14 or so if you don’t crop much.

    Ricki, thank you! The pitcher plants are so pho­to­genic that it’s hard to make a bad photo of them.

  8. Janet/Plantaliscious

    That’s a really good post debunk­ing the mys­tery sur­round­ing megapix­els. A 41 megapixel cell­phone cam­era?! Now that’s just madness!

    Lovely pho­tos of your Sar­race­nias. Much as I love the mark­ings on the oth­ers, my favourite is the Green Mon­ster — looks rather muppet-like, some­how. As to cut­ting back the Eri­o­gonum, that would be crim­i­nal, it looks beau­ti­ful against that wall.

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