extreme “bonsai”

Here’s a project that I’ve been think­ing about doing for a while, some­thing that I see com­bines clas­si­cal bon­sai, Euro­pean top­i­ary tra­di­tions, and 60s min­i­mal­ist art. About a month ago I finally took those thoughts out into the gar­den. It’s so much a work in progress at this point, but I think you can see where it’s headed.

This is the front:
front view of orchard

And here it is from a slight angle:
sliced orchard view

The “fin­ished” piece is sim­i­lar to a bon­sai grove in most respects, except than I’ve taken a slice out of the cen­ter of it. Con­cep­tu­ally I see this closely related to my Destruc­tive Test­ing pho­tographs, one of which I’ve posted here. And just as the pho­tographs obsess a bit about the human-culture dynamic and issues of con­trol, I see this piece as deal­ing with sim­i­lar issues, only in liv­ing form.

I started with some sheet steel that I welded into this sculpture/pot (top view):

bonsai pot

Angle view:

bonsai pot alternate view

Then I used stan­dard bon­sai tech­niques to root– and top-prune seven Japan­ese box­wood plants, and then planted them in a casual orchard for­ma­tion. Sev­eral clumps of elfin thyme com­plete the composition.

Sim­i­lar to bon­sai, I see this as a multi-year com­mit­ment. I intend to pinch the growths fre­quently to encour­age finer branch struc­ture, the qual­ity bon­sai peo­ple call “ram­i­fi­ca­tion.” I want the thyme to fill in more, and I plan to even­tu­ally thin the canopy so that you can bet­ter see the struc­ture of the “trees.” With time the con­tainer will weather to a nicely var­ie­gated patina of oxi­dized steel, and the leaves will dimin­ish in size to heighten the sen­sa­tion of miniaturization.

Though ele­vated to a supreme level of “nat­u­ral­ness,” bon­sai is heav­ily about con­trol. Peo­ple look at the lit­tle plants, and quickly see that there’s a human pres­ence under the sur­face of what they’re view­ing. The aims of the art, how­ever, com­bine the minia­tur­iza­tion with an effort to make the plants even more “nat­ural” than they really are–if that’s possible–and to cre­ate a sense of per­fect bal­ance and harmony.

The aims of clas­si­cal Euro­pean top­i­ary are rad­i­cally dif­fer­ent from bonsai’s. But when peo­ple view the shap­ing, sculpt­ing and metic­u­lous prun­ing that are so much a part of top­i­ary, they also reg­is­ter that these are all acts of impos­ing human desires on the nat­ural world.

When­ever this piece is exhib­ited I’ll do a metic­u­lous trim­ming of the slice that’s been taken out of the cen­ter so that the slic­ing of the rec­tan­gle into two por­tions is mir­rored in the plant­ing above.

Will this com­bi­na­tion of an ele­vated nat­u­ral­ism from bon­sai with the bla­tant geom­e­try of the pot and the shear­ing and shap­ing from top­i­ary make the viewer think a bit about how their actions relate to the nat­ural world? I hope so.

I’ll post more in this series once they get to a point worth sharing…

May 15 2008 | Categories: artmy garden | Tags: | 2 Comments »