dramatic wall colors and plants

I still haven’t got­ten around to doing some­thing about the color of the my lit­tle detached stu­dio behind the house. Col­ors of res­i­den­tial neigh­bor­hoods and gar­den walls usu­ally tend towards pretty neu­tral shades. Here are a cou­ple com­bi­na­tions of walls with plants that I thought were pretty dra­matic while still being flat­ter­ing to the land­scap­ing. They could be inter­est­ing choices for gar­den walls or even–if you’re truly brave–walls of your house.

tustin-marketplace-wall-and-plantings

This first one is the free­way side of the Tustin Mar­ket­place in Orange County, as see from Inter­state 5 on my way up to LA last week. The fairly dark burnt red-to-salmon wall col­oration mixes dra­mat­i­cally with the green bougainvil­lea foliage and red­dish magenta flow­ers in the fore­ground. And the sil­ver trunks and bright green foliage of the trees in the back­ground stand out dra­mat­i­cally against the wall.

purple-wallThe sec­ond is another retail sit­u­a­tion, the plant­i­ngs by the park­ing lot at the Mis­sion Val­ley Mall here in town. The vio­let wall, as the pre­ced­ing red­dish one, once again plays against the sil­ver trunks of the trees and the bright green leaves.

The first com­bi­na­tion to me feels warm­ing and ener­getic with­out being too hyper, with the red being a color that isn’t so far removed from the Mediter­ranean themed hous­ing that con­tin­ues to be pop­u­lar in South­ern Cal­i­for­nia. The sec­ond is def­i­nitely cooler, more restrained–and maybe a lit­tle more urban and adventurous.

We’ll see how brave I am when I finally have time to address resid­ing the stu­dio and rebuild­ing the attached patio cover. But I’m def­i­nitely feel­ing like doing some­thing other than white or beige this time…

March 23 2009 | Categories: gardeninglandscape design | Tags: | 4 Comments »

robie house planters

chicago-robie-house-exterior-wtih-gate

On my recent Chicago visit I had the chance to stop by Frank Lloyd Wright’s land­mark 1909–1911 Robie House in the Hyde Park neigh­bor­hood. Unfor­tu­nately the foun­da­tion that runs it was in the mid­dle of a major ren­o­va­tion inside. Even through we were on an archi­tec­tural tour the only way to view the inte­rior on this day was stand out­side and peer inside through the stained glass windows.

chicago-robie-house-interior-upstairs-through-window-2

chicago-robie-house-interior-upstairs-through-window

Ooh… (Look­ing inside, off the sec­ond story porch into the nearly fin­ished space…)

chicago-robie-house-interior-under-reconstruction

Uhhh… (The ground floor, still in the throes of renovation…)

Once we got that out of our sys­tem we had to con­cen­trate on the exte­rior of the build­ing and the gar­dens. I could think of worse things to have to do.

chicago-robie-house-gate-and-garden

A pair of side gates opens up to an auto court with a small gar­den on the side. It was win­ter and the plant­i­ngs weren’t any too spec­tac­u­lar this time of year, but the hard­scape details were worth a close look.

chicago-robie-house-brick-detail

The thin, wide bricks of the house and gar­den walls all fea­ture this neat lit­tle detail: The mor­tar between the courses is the typ­i­cal light mor­tar color, but the hor­i­zon­tal spaces between the bricks uses a red-colored mor­tar. The effect is that you notice hor­i­zon­tal bands and not the indi­vid­ual bricks. The house swoops side­ways towards the hori­zon, and the walls do the same, cel­e­brat­ing the ever-expanding hor­i­zon­tal prairie that makes up the Midwest.

Sev­eral of the cor­ners of the porches fea­ture these styl­ized urns. Instead of the chubby Roman mod­els, Wright has designed them to swoop side­ways just like the house and walls do.

chicago-robie-house-planters-4

chicago-robie-house-planters

chicago-robie-house-planters-horizontal

And there are sev­eral of these planters that explode with color in the sum­mer. But now…well, not so green. The story goes that Wright designed these planters with­out drainage–something that comes as no sur­prise from an archi­tect who was obsessed with form over func­tion and noto­ri­ous for cre­at­ing houses with leaky roofs and sus­pended ter­races that sagged under their own weight.

As I reviewed the pho­tos from the Robie House, though, there’s one thing that starts to gnaw on me. Though it doesn’t look huge, it’s still some­thing like 9000 square feet if you count the out­door ter­races. All the out­door spaces seemed squeezed in there. Was this a space-intensive urban use of a small lot? Or was it a hundred-year-old McMan­sion? Even if that, it’s pretty cool as McMan­sions go…

February 28 2009 | Categories: artgardeninglandscapelandscape designphotographyplaces | Tags: | 8 Comments »

what a good idea!

My neigh­bors catty-corner across the street have been in the throes of a gonzo whole-house remodel. The project is finally near­ing its con­clu­sion, with some of the land­scap­ing and hard­scape ele­ments finally being installed.

New wall with papyrus

New wall with papyrus

Right by the front door is this detail that I thought was drop-dead bril­liant: The tall papyrus rises from behind the half-wall, and your atten­tion focuses on the feath­ery tops of the plants. But then there’s this cutout in the wall, far below the tops of the plants, so that look­ing through you notice the geom­e­try of the stems that have been iso­lated from the rest of the plant. It was like a Cezanne still life or an early cubist paint­ing where mul­ti­ple views of the same object coex­ist in the same plane: the exu­ber­ant tops of the papyrus, and the geo­met­ri­cal upright lines formed by the stems, two sep­a­rate but inter­act­ing views of the same subject.

I really like what the neigh­bors have done with their house, but this was the one thing I liked most of all. When I talked to Jackie and told him how incred­i­bly impressed I was with the detail he looked a lit­tle puz­zled. Turns out the papyrus was just put there for the time being, and that the hole in the wall was going to turn into some sort of low water fea­ture that would only be vis­i­ble from the back side of the wall. My con­cep­tual take on what he was plan­ning was just an acci­dent of cir­cum­stances, and that the fin­ished project would be quite different.

Well, then!

I guess that means I can steal the idea, refine it and call it my own for the next project I do. Why not con­struct a solid wall with cutouts that show you inter­est­ing archi­tec­tural details of the plants on the other side? So many plants have both amaz­ing branch struc­ture and strik­ing foliage. Why not high­light each fea­ture by sep­a­rat­ing the views?

And if you beat me to using this idea, be sure to put me in the credit line. As you can see the idea was mine, all mine…

October 23 2008 | Categories: gardeninglandscape design | Tags: | 2 Comments »

mending wall

I don’t mind many gar­den chores—watering, prun­ing, tidy­ing, planting—but other tasks are so unpleas­ant I can put them off for days or years. Deal­ing with hard­scape is one of those unpleas­antries, par­tic­u­larly when it’s labo­ri­ous main­te­nance and not a cra­tive act. And that was the story of much of the last two weekends.

My neigh­bor­hood dates to the very early 1950s, and it was the first in San Diego where a devel­oper cut and filled a hill­side to install a sub­di­vi­sion. Some lots—particularly on the fill side of the street—are flat from the front curb to the back fence. But many others—and mine is one of them—slope emphat­i­cally. I haven’t hired a sur­veyor to scope it out, but I’ve fig­ured that the front and back of the prop­erty dif­fer some­thing over twelve feet in ele­va­tion over 120 lin­ear feet. An addi­tional slope behind the house ele­vates the folks behind us another six to eight feet.

In Mend­ing Wall Robert Frost dealt with the arbi­trary social spaces that some walls define. But with­out the series of lit­tle retain­ing walls on my lot the walls serve to keep some of gravity’s effects in check the whole hill­side would end up on top of the neigh­bors down below.

Unfor­tu­nately, one of those walls had been list­ing con­sid­er­ably, partly with the help of a nasty pen­cil tree euphor­bia and some errant ivy roots. My solu­tion: Why not try using the hydraulic and bumper jacks that we’ve had sit­ting in the garage to see if we couldn’t get the wall to stand­ing back at 90 degrees? Then it’d be a pretty sim­ple mat­ter to pour con­crete at the base of either side of the wall to sta­bi­lize it for the next quarter-century.

All jacked up

All jacked up

The hydraulic jack help­ing to push the wall back up.

Bumper jack

Bumper jack

The bumper jack used for this project.

It’s com­mon to call some­one a jack of all trades (no pun intended), and it’s usu­ally meant as a com­pli­ment. But my work on this project made me think of the “…and mas­ter of none” part of the phrase that most peo­ple don’t think about. Yes, I did man­age to get the wall back to upright. Yes I did man­age to do it with the jacks. And yes, pour­ing con­crete around the base of the wall has kept it firmly upright.

But I did how­ever end up hav­ing to replace a small sec­tion of the wall, and that’s where the mas­ter of none part comes into play. You will notice I have no pho­tographs of that patched wall. Trust me. It’s ugly.

Since no one will believe any­thing these days until they’ve seen a pho­to­graph of it, how­ever, maybe you won’t real­ize how ugly the patch really is and con­tinue to think that I’m this resource­ful gar­dener who’ll tackle any­thing and do it with spec­tac­u­lar results.

If you’ll believe that, let me give you a cut­ting of this cute lit­tle pen­cil tree euphor­bia that’s guar­an­teed to stay a cute lit­tle well-mannered plant…

August 19 2008 | Categories: landscape designmy garden | Tags: | 5 Comments »